Image of Lizzy Lunday at her studio in Brooklyn, NY.

Lizzy Lunday (b. 1992, Kansas City, KA) has been featured in both solo and group exhibitions nationally and internationally. Her work has been included in exhibitions at Fredericks and Freiser, New York. NY; GNYP Gallery, Berlin. Germany; Kutlesa Gallery, Goldau. Switzerland; Steven Zevitas Gallery, Boston. MA; amongst others. Lunday currently lives and works in Brooklyn, NY. She earned her MFA from Pratt Institute, New York, during which she was the recipient of Pratt’s GSEF grant; and was an artist in residence at 77Art in Rutland, Vermont.

Exhibition preview | Press Release

 
 
 
 
 

Lizzy Lunday, Playing Lifeguard, 2022, Oil and acrylic on canvas, 30 by 28 in. 76.2 by 71.12 cm. (LL003)

 

Lizzy Lunday, Competing Innuendos, 2022, Oil and acrylic on canvas 40 by 30 in. 101.6 by 76.2 cm. (LL007)

Lizzy Lunday

Public Displays of Affectation

04.02.2023 - 05.13.2023

 

Jupiter Contemporary is pleased to present Public Displays of Affectation, a solo exhibition of new work by Brooklyn-based artist Lizzy Lunday, whose brightly hued canvases draw upon imagery from reality TV, social media, the artist’s iPhone photos, and occasionally art history to mine the tensions and contrived expressions that result from the performance of intimacy as spectacle.

Featuring eight never-before-seen paintings, all of which take the popular British TV show Love Island as subject, the exhibition showcases Lunday’s penchant for celebrity, drama, and romance—whether genuine or affected—through a style as loud and exaggerated in its choices of color and composition as the surreal conditions of the show itself. Each painting begins as a digital collage, wherein Lunday layers and manipulates scenes from the show to arrive at a fractured, composite image that somehow feels as true to (or far from) life as the individuals and interactions it portrays. Bronzed, scantily clad bodies accented by extreme highlights along their arms, legs, and abs take center stage, fawning over one another—or observing their peers with mild apathy—in a variety of intimate encounters that, while suggestive of love, desire, and affection, betray a certain disassociation from their own actions and from one another. 

 

Lizzy Lunday, Infrared, 2022, Oil and acrylic on canvas, 20 by 16 in. 76.2 by 40.64 cm. (LL008)

Lizzy Lunday, Good Form, 2023, Oil and acrylic on canvas, 60 by 58 in. 152.4 by 147.32 cm. (LL004)

Two individuals look on in apparent boredom from a sofa in Good Form (2023), for example, while a man bench presses a woman in a bikini and another woman crouches, sorority-style in a body-con dress. Here, the disaffected couple serves as an admittedly humorous foil to the conceit of the painting, as the other figures relish in heteronormative displays of gendered stereotypes, asking, if not begging, to be admired for their “good form.” 

Lunday’s manipulations of the source imagery—and her practice of continually repainting and erasing sections of her compositions—engenders a tension between positive and negative space, as objects and body parts alike often either dissolve into nothingness or fuze with their background. In Another Kissing Contest (2023)—wherein a man bends over a woman in a hollywoods-style kiss while three other onlookers exclaim loudly, mouths wide open—one woman’s outstretched hand blends into another man’s shoulder, his hair takes on the color of the sunset behind him, and a second woman appears to have lost her lower half. And yet, these oddities don’t detract from the believability of the scene at hand. If anything, they serve to reinforce the drama by highlighting which gestures and expressions contribute to the plot while cutting those which aren’t integral to its furtherance—a practice seemingly akin to that of a video editor cutting together raw footage of the individuals on Love Island in an effort to create a cohesive narrative with character arcs, budding romance, and of course public displays of affec(ta)tion.

Lizzy Lunday, Double Vision, 2022, Oil and acrylic on canvas, 50 by 36 in. 127 by 91.44 cm. (LL006)

Lizzy Lunday, Another Kissing Contest, 2022, Oil and acrylic on canvas, 56 by 48 in. 142.24 by 121.92 cm. (LL001)

 
 
 

Lizzy Lunday, Falling in Love, 2023, Oil and acrylic on canvas, 60 by 56 in. 152.4 by 142.24 cm. (LL002)

Lizzy Lunday, Public Displays of Affectation

04.02.2023 - 05.13.2023

Opening Reception: 04.02.2023 | 6 - 8 pm

Copyright © 2023 Lizzy Lunday, Jupiter Contemporary and Cary Whittier

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